As I noted in the other forum, our arbitrary benchmark is a database of 4, instruments, before starting on the drafting of the piece. Having collected the information over more than a decade, we are getting close. I am asking if you would be so kind as to provide information about Lachenals that you currently own, you previously owned, or know about for example, that belong to friends. Type English, Anglo, or duet and, for duets, Maccann or Crane system. Special system for example, Jedcertina if applicable. Number of keys excluding air button. Specialty buttons bird call, baby cry, ets. Raised or flat ends. Specialty wood for example, amboyna if applicable.
Top 5: Best Concertinas Ever
After the revival of interest in traditional music and in concertinas from the s the Anglo has once again had some popularity in the United States, but without connection to any tradition of its earlier widespread use in America. This paper attempts to reconstruct a basic history of the Anglo concertina in the U. Topics discussed include the early use of German concertinas in the Eastern U.
The main advantages of the Wheatstone concertina over the Lachenal, according to John Kalinowski, are the hinged action and a better reed response. The hinged action advantage refers to the Wheatstone’s construction opposite to Lachenal’s “fork and level” design which makes for a more seamless action.
Holding the Concertina By Goran Rahm goran. In later discussions on the subject it has been questioned that the modifications would result in musical disadvantages. The main objections have been that wrist straps limit fingering movements and the number of reachable buttons and that wider buttons may cause fingers to hook up on adjacent buttons. The latter problem could be dealt with by a wider spread of the buttons which of course requires a profound redesigning.
This in fact might be motivated anyway since the traditional English keyboard measures actually are too small for many players. The eventual problem with a limited keyboard note range raises interesting questions concerning priorities in the musical performance worth some discussion.
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Wedgwood Queen’s ware Elihu Yale portrait teapot from teaset produced for Yale University, blue and white border pattern includes portrait of founder Elihu Yale, designed by Prof. Edwin C Taylor of the Yale School of Fine Arts, , cream-coloured earthenware w/ clear glaze, UK Dating lachenal concertinas Lachenal, Edmond ( –
Go to Art ist List Great Canadian Heritage Treasure What a fabulous surprise to come across a vintage George Case English concertina at a local auction, and one in fine condition at that. George Case was a famous professor of music in the UK, an accomplished concertina player, and tutor, in the s and 50s. In May he gave a concert which featured Rossini’s William Tell Overture for 12 concertinas, which he had arranged specially for the occasion, and which included a solo on the bass concertina.
George apparently worked for Wheatstone for a time but set up his own factory and made concertinas from c to Around Boosey took over Case and the labeling changed, Boosey adding Case’s name to its own. The closest latest Case before that number is Somewhere in between is Case’s last concertina. Other serial numbers, to link to label names and business locations, to help date Case concertinas are: You then match that to dates on company histories, which tell what years they were located at which address.
Boosey started making musical instruments in Our instrument appears to date from c What is remarkable about this instrument – which is over years old – is that the fretwork, the mother-of-pearl inlay, and the mahogany ends are in mint condition, as is the 5 fold bellows. Clearly it was carefully preserved, by generations of loving musicians, or mercifully abandoned in a very favourable environment, protected from extremes of heat and cold, which often dries out, or cracks, wooden instruments over time.
Left is the right side reed pan which shows the compartments for each set of reeds.
The 3 Longsight Terrace address, now doesn’t exist. It seems the street names have been changed, and it must have been one of a number of terraces off Stockport Road in Gorton or Longsight from that time which are now gone. There are however other historical references, for example it was occupied by one Robert Hunt c. The area was surveyed by H.
Pristine condition, original Lachenal embossed hand straps. 6 fold bellows and mahogany case also in excellent condiion, lacks carrying handle 2, Wheatstone English concertina A really nice Wheatstone English 48 key treble number made Circa
History[ edit ] The Anglo originated as a hybrid between the English and German concertinas. The button layouts are generally the same as the original button German concertinas designed by Carl Friedrich Uhlig in Within a few years of that date, the German concertina was a popular import in England, Ireland, and North America, due to its ease of use and relatively low price.
English manufacturers responded to this popularity by offering their own versions using traditional English methods: Initially the term Anglo-German only applied to concertinas of this type built in England, but as German manufacturers adopted some of these techniques, the term came to apply to all concertinas that used Uhlig’s button system. Play[ edit ] The heart of the Anglo system consists of two button rows, each of which produces a diatonic major scale in a pattern devised around by Bohemian designer Joseph Richter for use in a harmonica Richter tuning.
Five buttons of each row are on each side. The two rows are musically a fifth apart. For example, if the row closest to the player’s wrist is in the key of G, the next outer row is in the key of C below.
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They have mostly been found in concertina cases with few hints to date them. The approximate dates ascribed to the price lists here are based on internal evidence, as follows: Wheatstone moved from Conduit Street to West Street in , where they remained until after the war. Parts of the operation were moved to other locations around and , but the West Street flagship remained until around The basic postcode areas e. Dates and Events Mentioned:
Appendix 1: Wheatstone and Lachenal Dates of Manufacture
This the top five anglo concertinas of all-time. The concertinas in this list are custom made to your needs and preference. But the price and long delivery time should be expected for these instruments in this higher echelon. Jeffries concertinas One of the most names you will hear when you talk about concertinas is the Jeffries.
British firms active in the late 19th and early 20th centuries include those founded by Charles Wheatstone, Charles Jeffries (who built primarily Anglo-style concertinas), Louis Lachenal (who built concertinas in both English and Anglo styles and was the most .
Bellows Papers on Wheatstone Concertinas These studies on the very earliest Wheatstone concertinas indicate that the evolution of the basic design of his key ‘English’ system model had been completed by around to , when it was finally fully described and patented in Wheatstone’s specification. The layout of buttons, the arrangement of reeds and reed pans, levers and pallets, and the method of construction of the ends, action boards, pans and bellows henceforth changed little over the next century.
The Wheatstone factory production ledgers record instruments with solid gold buttons and fittings being produced to special order at seventy guineas, and in , the only known ivory-ended instrument was produced, again to special order. The survey below lists the many changes to Wheatstone’s initial design and indicates how the combined influences of both fashion and genuine technological improvement led to the many changes in the original design of the concertina.
Changes in the Reeds One of the last ‘early’ design features to be finally superseded in the development of the basic English concertina was the use of square-ended reed beds, which ceased to be used from instrument no , sold in February These early, hand filed reed beds resembled those of the first Demian style of akkordion and were each individually fitted into hand routed slots in the reed pans.