The Custom Shop operated out of the Leakesville guitar facility, which was closed in April, It opened in January of I originally had no idea the Custom Shop was a such a small group. During the slightly more than a year that they operated out of Leakesville, so much time was spent on each guitar that they were only producing an average of little less than one Wolfgang Custom Shop model per day. Approximately Custom Shop Wolfgangs were produced in Leakesville, of which 92 of these were specific orders and the rest were produced for the Vault or the NAMM show.. The attention to detail really showed in the finished product. Another specific customer orders were produced in Meridian after mid and another 70 or so Vault guitars, many of which are not really true Customs as they were using up remaining materials inventory. Thus, approximately Custom Shop Wolfgangs were built from through were specific customer orders. More than of those have made it to this site thus far and are pictured here. Again, some of the last 50 were really put together using whatever parts and pieces they had in order to help move the remaining inventory and shouldn’t be viewed as the same quality as a prior Custom Shop guitar.
The Timeline of the models
The system allowed a bass player to control a midi synthesizer directly from the bass with both accurate note tracking with immediate sounding notes. A common problem for early guitar and bass to midi converters was the so-called “midi-delay” — the almost imperceptible but still noticeable and distracting delay between hitting a note and the note sounding.
This was down to the physics of the leading technology used at the time for sensing the notes. The main sensor on most synth controllers at the time was the so called “hex pickup”. These thin pickups could usually be seen squeezed in between the bridge pickup and the bridge itself – indeed, kits were available allowing you to stick a hex pickup on your own favourite guitar. The triggering delay was caused by the time taken for the midi hex pick-up to sense the note being played.
Oct 23, · A few posts ago, Sonusman recommended getting a used power amp for PA applications. So I started scouring around for amps, originally considering the Peavey CS because my bands used them in the 90’s. A reliable salesman recommended a used BGW C over the Peavey. He mentioned that BGW had a good reputation in the 80’s or so (and that’s about how old this amp .
Features one channel and two inputs; volume, bright, treble, treble expander, bass, bass expander, bright switch, deep switch, stand-by switch, pilot light for stand-by and operate. This amp was built to play larger halls and outdoor concerts. The lack of reverb was not a big issue as most live performances had acoustics full of reverberation halls, arenas. Peter Traynor built these things to stand up to road abuse, unlike a lot of vintage stuff.
It sounds great with either bass and guitar, providing a clean and loud tone. Works great in large club settings. Front panel has two input jacks, controls for treble boost, volume, treble expander, treble, bass expander, bass, presence, and bass boost. There is also a standby switch and corresponding green and red pilot lights. There are no effects in this head, but stomp boxes work just fine. The front of the amp is wrapped in a Fender-style silver-face cloth [ There is also a cooling fan installed.
With tubes, you’ll get about W from the Custom Special. Original tube [complement] was three 12AX7s and four 6CA7s that I swapped for s very easy, just boost bias about ten volts in order to have 30ma idle Original input resistor was k and I changed it for 5. Can be converted from to EL34, I think a pin jumper is needed.
Peavey Delta Blues
Guitar Player December Letters to the editor; Guitaring; Questions; It’s New. VG condition, mailing label on back. VG condition, mail label back cover..
All musicman basses are long scale (34″). I have a sterling 5 (H/S), and it is a pretty fast neck – but that’s mostly because it’s got narrow string spacing. If you like a wide 5 (like a Warwick or Spector or others), you’ll hate a musicman.
Schecter Bass Guitars The World of Bass Guitars Historically, electric guitar players have always generated the lion’s share of attention in the world of music, but where would they be without the musicians playing bass guitars behind them? As the only melodic instrument in the typical rhythm section, the bass guitar fills an essential sonic space in the sound spectrum of a band. This category is dedicated to celebrating the wonderful world of bass guitars.
Fantastic Instruments If you are looking for a great bass, you should certainly do your homework so you make sure you get the best product possible before you commit to spending your hard earned money. Resources are available here that provide information on both older and brand new bass guitars. Whether your budget is small or large, you will find articles here that cover what you need to know.
Build Your Own If you’re both musical and like to work with your hands, you might be interested in learning how to build your own bass guitar. You can find all the information you will need for your project here, from plans to learning about kits. Stay Tuned New articles will be added to this category every month, so make sure you check back often to learn more about this often under-appreciated instrument.
Western Kentucky Montreal Canadiens Market price: Find great deals on eBay for Memorabilia movie memorabilia.
This page contains a detailed analysis of the backlinks of Find out which pages link to the website and find the most important links.
If you’re not familiar with my site, it’s simple, and you’ll love it or hate it: It’s not a fancy site but it remains unchanged since ’98 so I figure, “if it ain’t broke – don’t fix it. Just click on any underlined text and it should open a picture; if you move your cursor over the pic and there’s a magnifying glass displayed instead of your cursor, click the pic and it will expand it to larger size.
These guitars already have a great vintage vibe with an authentic looking two-tone sunburst gloss finish, parchment parts, and tinted neck, so the vintage logo is icing on the cake. Other features include C-shaped maple neck with maple fingerboard and modern 9. Like the early vintage models this guitar also has stacked knobs with a volume and tone on each pot.
Peavey Solid State Combo Bass Amplifiers
See More Back Dating back to , Taylor acoustic guitars have been making headlines in guitar magazines for more than 40 years. But they didn’t always go by the name ‘Taylor’ – if you’re a veteran of the ’70s music scene, you might remember their introduction as the Westland Music Company. No matter what they’ve been called over the years, some things haven’t changed: In this lineup of Taylor acoustic guitars, you’ll see that they continue to live up to their excellent reputation.
The simple secret to Taylor’s success is that they’ve always had a clear focus on the artist. They’re ready to take on any style of music, so no matter how you like to play, you can find an instrument in this section that’s the right fit for you.
As long as the bass guitar has been a part of the music scene, bassists have been demanding a lot out of their amplifiers. That’s because they have to – the low-end tones of the bass need serious amplification to punch through the rest of the band and achieve the perfect impact on the audience.
Home of the Choo Choo Subject: Serial number dating Mon Aug 24, 7: I don’t believe that I’ve posted it here yet. During the last few years, I have received more than a few T s that were the very first ones made on the gunstock carving machine and the Ekstrom-Carlson router, before production was even in sight.
They were in order, 6 keys per side, 3 keys per side, and the bass. The next ones were: Note that the decimal points progressed through the eight numerals and the last of the ten had two decimals. These would let us know and identify if any of the sales reps “lost” their sample. The Schmidt Serial Numbering head didn’t have the capability of letters, only numbers, so there would have been only a very few with the 8Mxxxxxx.
There were a few specials, like the Magnolia wood T bass for Ken Achard, author of “The History and Development of the American Guitar” with rear mounted pickups and controls , that were made, with Hartley’s blessing, off the records and with their initials for serial numbers.
Números de serie
The fretboard was rosewood, and had 21 nickel-silver frets. The neck joined the body at the 16th fret on the bass side, 19th fret on the treble side. The pickguard, bridge, etc.
By finding the year in which your guitar was made, you may learn that your guitar is worth more than you think, or is even a Samick antique. Take pictures of your guitar with a digital camera. Useful shots for identification include a picture of the whole guitar body, the .
Leo is no longer with us, of course, but the L is, in both an American-made version that is true to the L Leo first created and in an imported Tribute Series model that is an exceptional production rendition of the American-made model. Now asked to do it again, I was curious to see how the current L s compared with those of yesteryear. Especially among musicians, there’s a “they just don’t make ’em like they used to” bias, a prejudice that favors vintage over new. In some cases and in some ways, this attitude is justified—but not always.
There are companies whose products improve over time because of design refinements, craftsmen who develop in skill, technological advances, and improvements in manufacturing techniques. The American-Made L If you want a beautifully crafted and flawlessly finished pro-quality bass, the American-made L or L the five-string version is it.
It is an instrument that combines proven classic virtues with the best modern refinements. The body design blends the forms of Leo’s two most famous creations, and is shaped from a thick slab of premium swamp ash or alder. The body is fairly thick and therefore heavy, but the instrument balances so well that it hangs easy on the shoulder.
The L I received was especially elegant-looking with a tobacco burst finish on both the body and headstock.